Dinosaurs in the Hood

Dinosaurs in the Hood

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BY DANEZ SMITH

Let’s make a movie called Dinosaurs in the Hood.

Jurassic Park meets Friday meets The Pursuit of Happyness.

There should be a scene where a little black boy is playing

with a toy dinosaur on the bus, then looks out the window

& sees the T. Rex, because there has to be a T. Rex.

Don’t let Tarantino direct this. In his version, the boy plays

with a gun, the metaphor: black boys toy with their own lives,

the foreshadow to his end, the spitting image of his father.

Fuck that, the kid has a plastic Brontosaurus or Triceratops

& this is his proof of magic or God or Santa. I want a scene

where a cop car gets pooped on by a pterodactyl, a scene

where the corner store turns into a battle ground. Don’t let

the Wayans brothers in this movie. I don’t want any racist shit

about Asian people or overused Latino stereotypes.

This movie is about a neighborhood of royal folks —

children of slaves & immigrants & addicts & exiles — saving their town

from real-ass dinosaurs. I don’t want some cheesy yet progressive

Hmong sexy hot dude hero with a funny yet strong commanding

black girl buddy-cop film. This is not a vehicle for Will Smith

& Sofia Vergara. I want grandmas on the front porch taking out raptors

with guns they hid in walls & under mattresses. I want those little spitty,

screamy dinosaurs. I want Cicely Tyson to make a speech, maybe two.

I want Viola Davis to save the city in the last scene with a black fist afro pick

through the last dinosaur’s long, cold-blood neck. But this can’t be

a black movie. This can’t be a black movie. This movie can’t be dismissed

because of its cast or its audience. This movie can’t be a metaphor

for black people & extinction. This movie can’t be about race.

This movie can’t be about black pain or cause black people pain.

This movie can’t be about a long history of having a long history with hurt.

This movie can’t be about race. Nobody can say nigga in this movie

who can’t say it to my face in public. No chicken jokes in this movie.

No bullets in the heroes. & no one kills the black boy. & no one kills 

the black boy. & no one kills the black boy. Besides, the only reason

I want to make this is for that first scene anyway: the little black boy

on the bus with a toy dinosaur, his eyes wide & endless

                                                    his dreams possible, pulsing, & right there.

Found here:  https://www.poetryfoundation.org/poetrymagazine/poems/detail/57585

Possibilities

POSSIBILITIES by Wislawa Szymborska

I prefer movies.
I prefer cats.
I prefer the oaks along the Warta.
I prefer Dickens to Dostoyevsky.
I prefer myself liking people
to myself loving mankind.
I prefer keeping a needle and thread on hand, just in case.
I prefer the color green.
I prefer not to maintain
that reason is to blame for everything.
I prefer exceptions.
I prefer to leave early.
I prefer talking to doctors about something else.
I prefer the old fine-lined illustrations.
I prefer the absurdity of writing poems
to the absurdity of not writing poems.
I prefer, where love’s concerned, nonspecific anniversaries
that can be celebrated every day.
I prefer moralists
who promise me nothing.
I prefer cunning kindness to the over-trustful kind.
I prefer the earth in civvies.
I prefer conquered to conquering countries.
I prefer having some reservations.
I prefer the hell of chaos to the hell of order.
I prefer Grimms’ fairy tales to the newspapers’ front pages.
I prefer leaves without flowers to flowers without leaves.
I prefer dogs with uncropped tails.
I prefer light eyes, since mine are dark.
I prefer desk drawers.
I prefer many things that I haven’t mentioned here
to many things I’ve also left unsaid.
I prefer zeroes on the loose
to those lined up behind a cipher.
I prefer the time of insects to the time of stars.
I prefer to knock on wood.
I prefer not to ask how much longer and when.
I prefer keeping in mind even the possibility
that existence has its own reason for being.

 Hear Amanda Palmer recite it here. 

Trevor

selection from Trevor
by Ocean Vuong

Trevor the hunter. Trevor the carnivore, the redneck, not

 a pansy, shotgunner, sharpshooter, not fruit or fairy. Trevor the meateater but not

veal. Never veal. Fuck that, never again after his daddy told him the story when he was seven, at the table, veal roasted with rosemary. How they were made. How the difference between veal & beef is the children. The veal are the children

of cows, are calves. They are locked in boxes the size of themselves. A body-box, like a coffin, but alive, like a home. The children, the veal, they stand very still because tenderness depends on how little the world touches you. To stay tender, the weight of your life cannot lean on your bones.

We love eatin what’s soft, his father said, looking dead

into Trevor’s eyes. Trevor who would never eat a child. Trevor the child with the scar on his neck like a comma. A comma you now

//

put your mouth to. That violet hook holding two complete thoughts, two complete bodies without subjects. Only verbs.


Read all of it here. 

I Am, I Am Not

I Am, I Am Not
a poem by a 6th grader I know

I am American
strong and proud.
Devoted to this country,
I always root for the American team.

I was born here,
lived here all my life.
Never slept anywhere else.
Never loved a place as much.

I am not American
ancestors are Chinese.
Hints of them in my life,
happy to be different.

I love Chinese things.
Food is delicious,
clothes are beautiful.
Disappointed at some American things.

I am both,
American and not.
Proud and disappointed,
loving and not.